Is ‘Tom and Jerry’ Really Racist?

Amazon has put a racism disclaimer on its series of “Tom and Jerry” cartoons. Critics say this is “empty-headed” and “PC madness.”

 

 

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The premise of “Tom and Jerry,” the 75-year-old madcap slapstick cartoon about a feuding cat and mouse, is as innocuous as it is endlessly entertaining. But as with any show that was created in the 1940s, some of its tropes could be deemed politically incorrect or offensive today. You’d be hard-pressed to find a character like Mammy Two Shoes, a heavyset black maid whose face is obscured in all but one “Tom and Jerry” episode, on the Disney Channel today.

So while Amazon has recently added “Tom and Jerry” to its video streaming service, they made sure to include a racism disclaimer: a warning that “Tom and Jerry” contains “some ethnic and racial prejudices that were once commonplace in American society.”

Characters like Mammy Two Shoes “were wrong then and are wrong today,” the warning reads, incensing some fans of the seven-time Academy-Award winning show. “I loved Tom and Jerry as a kid and it never made me think poorly of ethnic minorities or want to smoke cigars,” one tweeted. Another “watched Tom and Jerry since the 60s this is the 1st time I’ve ever heard the R word in relation to it. PC madness!”

Meanwhile, British cultural commentator and sociology professor Frank Furedi declared Amazon’s warning “empty-headed” and excoriated a kind of “false piousness” and culture of censorship that “seems to be sweeping cultural life.”

Cartoon historian Jerry Beck agrees. “Amazon seems to have forgotten that ‘Tom and Jerry’ was made for adults as much as it was for children,” Beck told The Daily Beast. “[Amazon] should be showcasing ‘Tom and Jerry’ among classic movies in a way that gives them cultural context,” he said. “The advisory is really meant to warn parents that the cartoon may include things like smoking or the black housekeeper that they might have to explain to their children.”

It’s hardly the first time the beloved cat and mouse frenemies have run into controversy. In 2013, two episodes were pulled from the second installment of Warner Brothers’ Golden Collection because they featured Tom and Jerry “blacked up.”

Fans thought the collection would feature every episode of the comedy since its creation, but “Casanova Cat” and “Mouse Cleaning,” two episodes from 1951 and 1948 with obvious race references that had previously been censored on broadcast television, were cut from the collection.
“Casanova Cat” features Tom wooing a glamorous female feline by darkening Jerry’s face with cigar smoke and making him do a minstrel dance. And in “Mouse Cleaning,” Tom uses his “blackface” to trick Mammy Two Shoes.

The cartoon’s creators, William Hanna and Joseph Barbera, had trouble pitching it to broadcast networks in 1975, after they retrieved rights from MGM. “We showed them (the network folks) five of the old ‘Tom and Jerrys’ and they laughed so hard they had tears in their eyes,” Barbera told the Associated Press at the time. “Then they said, ‘We can’t use them. If we put those on we’ll get killed,’” he said, referring to standards instituted several years earlier by parents’ activist groups pushing for less violence on TV. The criticism prompted Hanna and Barbera to create more “socially acceptable” episodes (in 1975, they hadn’t sketched any new “Tom and Jerry” shorts in 18 years).

There are plenty of other outdated stereotypes in “Tom and Jerry”—sexist attitudes, for example—but Amazon chose to focus on race. (Amazon could not be reached for comment.) Indeed, race has become an increasingly hot-button issue in the last 10 years, so much so that we are either censoring references to racial stereotypes or issuing trigger warnings about them—sometimes at the expense of cultural and historical literacy.

When Whoopi Goldberg introduces a 2005 Looney Tunes Golden Collection, she addresses its politically incorrect themes, stressing that “they are presented here to accurately reflect a part of our history that cannot and should not be ignored” and that “removing these inexcusable images and jokes from this collection would be the same as saying [these prejudices] never existed.”

It’s understandable that big companies are pointing out that the outdated ethnic stereotypes in these old cartoons could cause offense. But as Goldberg noted, it’s important to understand their historical context. There were few countries that were built on such a multiethnic foundation, where differences were so profound—where language, cultural mores, and ritual changed from block to block—that racial and national stereotypes were an obvious outlet for humor in cartoons.


And in the age of South Park and Family Guy, not much is going to shock us in a “Tom and Jerry” cartoon.

Tom and Jerry American cartoon series

Tom and Jerry, American animated cartoon series about a hapless cat’s never-ending pursuit of a clever mouse.

Not yet named in their debut theatrical short, Puss Gets the Boot (1940), Tom (the scheming cat) and Jerry (the spunky mouse) nonetheless were a hit with audiences. Animators William Hanna and Joseph Barbera produced more than 100 episodes for Metro-Goldwyn-Mayer (MGM). Several of these—including Yankee Doodle Mouse (1943), The Cat Concerto (1946), and Johann Mouse (1952)—won Academy Awards for best animated short subject. In most episodes Jerry foiled Tom’s efforts to catch him and lived to annoy him another day—though occasionally Tom got the upper hand, or the two would join forces against a common enemy. The series was driven entirely by action and visual humour; the characters almost never spoke.

After Hanna and Barbera left MGM, the series was revived several times, most notably in the mid-1960s under the direction of famed animator Chuck Jones. These later versions changed certain elements of the series and softened the violence. The shorts became popular on television, and Hanna and Barbera’s own company acquired the rights to create new Tom and Jerry episodes specifically for the small screen, producing 48 stories between 1975 and 1977. The show remained a television staple for decades, although racist or other offensive elements from the early features were usually edited.

Tom and Jerry: The Movie premiered in 1992 in Europe and appeared on American screens the following year. In 2006 Warner Bros. debuted a new television series, Tom and Jerry Tales, which was closely modeled after the original theatrical shorts.

Spongebob, Tom and Jerry lead video releases

The catch of the week is "Spongebob Squarepants," taking the plunge onto home video on Tuesday. Silly, seafaring stories from Nickelodeon's phenomenally popular cartoon franchise will be released on two VHS collections, "Nautical Nonsense" and "Spongebuddies" ($13 each), and a single-disc DVD ($20).

Since its debut in 1999, Spongebob, the "absorbent and yellow and porous" sponge who lives in an undersea pineapple in Bikini Bottom, has reeled in an adult cult following.

Also available this week is "Tom and Jerry: The Magic Ring," which, if nothing else, is a marked improvement over 1993's sorry "Tom and Jerry: The Movie," in which Tom and Jerry actually talked.

In this produced-for-video feature, Tom's owner, a Gen-X wizard, leaves the cat in charge of his magic ring, which inevitably becomes stuck on mouse Jerry's head. The look of the film recalls Tom and Jerry's 1940s heyday. There's a cameo by Droopy, and Tex Avery fans will note the homage to his classic "Bad Luck Blackie."

Like Tom and Jerry themselves, "The Magic Ring" hits the ground running with the usual slapstick and, at a scant 62 minutes, flies by.

Raffi still in tune after 6-year hiatus

Raffi is back with "Let's Play," his first album in six years, and it's like he never left. The songs are a delightful mix of traditional favorites and Raffi originals. One, "Blessed Be," was recorded by Alison Krauss for the recent tribute compilation "Country Goes Raffi." The title tune is a "happy, tapping" song that recalls his "Time to Sing" (and even references his most beloved song, "Baby Beluga").

Available Tuesday, "Let's Play" retails for $18 on compact disc and $12 on audiocassette. To order call 800-ROUNDER.

'Ice Age' slated for warm reception

After warming up audiences for months with its hilarious theatrical previews, the PG-rated "Ice Age" opens in theaters Friday. This digitally animated feature, directed by Chris Wedge, an Academy Award-winner for his animated short "Bunny," features a great voice cast, including John Leguizamo, Denis Leary and Ray Romano as, respectively, a sloth, a saber-toothed tiger and a woolly mammoth who embark on a quest to return an orphaned human baby to the father.

TV Review: Cartoon Network's 'Clarence,' 'The Tom and Jerry Show'

Amid a spate of live-action comedies featuring boys as the protagonist, Cartoon Network's animated "Clarence" arrives as a nifty little gem, so quirky and idiosyncratic as to feel fresh, even if it treads in well-worn territory. The characters aren't much to look at -- indeed, they're generally grotesque -- but its two mini-stories in the premiere are certainly a lot of fun. If only some of that creativity rubbed off on the channel's new and wholly unnecessary "The Tom and Jerry Show" reboot, which, to the target audience, will probably just feel like a watered-down "Itchy & Scratchy."

Created by wunderkind producer Skyler Page (who also provides the voice of the title character) through the network's digital-short initiative, "Clarence" focuses on a young boy who, for once, actually acts like one. That is to say, he's cheerfully oblivious to almost everything except eating and trying to enjoy himself, while his mother (Katie Crown) sounds OK with him doing just about anything as long as it doesn't end with him getting hurt.

The premiere focuses on an outing to a burger joint/play space with a group of Clarence's friends, who are equally odd, including one who is positively phobic about anybody touching his French fries. A second yarn involves Clarence spending the afternoon hanging out with a girl, which sends his buddies into a tizzy, unleashing a strange mix of jealousy and outrage. One frets that the two might be making out, even though he's unsure what exactly that means.

By contrast, "Tom and Jerry" relies on the same old cat-and-mouse sight gags and slapstick, without adding the kind of wrinkles to the chase that would justify digging up the 74-year-old concept. Nor should it be overlooked that the shorts baby boomers were weaned on actually originated in movie theaters, where adults watched them every bit as much as kids.

The animation is fluid, certainly, and the voice cast includes Jason Alexander. Beyond that, these mostly silent shorts feel like a throwback and, with apologies to the cat half of the equation, they simply didn't scream out for additional lives.

As for "Clarence," the TV market has become so glutted with cheeky animation -- Comedy Central seems to premiere a new show every week, whether or not anybody's asking for it -- that it's nice to see someone conjure something with a genuine creative spark and relative lack of cynicism.

By that measure, "Clarence's" eponymous star might be a pretty dim bulb, but he casts an unexpectedly warming light.

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Spongebob, Tom and Jerry lead video releases

The catch of the week is "Spongebob Squarepants," taking the plunge onto home video on Tuesday. Silly, seafaring stories from Nickelodeon's phenomenally popular cartoon franchise will be released on two VHS collections, "Nautical Nonsense" and "Spongebuddies" ($13 each), and a single-disc DVD ($20).

Since its debut in 1999, Spongebob, the "absorbent and yellow and porous" sponge who lives in an undersea pineapple in Bikini Bottom, has reeled in an adult cult following.

Also available this week is "Tom and Jerry: The Magic Ring," which, if nothing else, is a marked improvement over 1993's sorry "Tom and Jerry: The Movie," in which Tom and Jerry actually talked.

In this produced-for-video feature, Tom's owner, a Gen-X wizard, leaves the cat in charge of his magic ring, which inevitably becomes stuck on mouse Jerry's head. The look of the film recalls Tom and Jerry's 1940s heyday. There's a cameo by Droopy, and Tex Avery fans will note the homage to his classic "Bad Luck Blackie."

Like Tom and Jerry themselves, "The Magic Ring" hits the ground running with the usual slapstick and, at a scant 62 minutes, flies by.

Raffi still in tune after 6-year hiatus

Raffi is back with "Let's Play," his first album in six years, and it's like he never left. The songs are a delightful mix of traditional favorites and Raffi originals. One, "Blessed Be," was recorded by Alison Krauss for the recent tribute compilation "Country Goes Raffi." The title tune is a "happy, tapping" song that recalls his "Time to Sing" (and even references his most beloved song, "Baby Beluga").

Available Tuesday, "Let's Play" retails for $18 on compact disc and $12 on audiocassette. To order call 800-ROUNDER.

'Ice Age' slated for warm reception

After warming up audiences for months with its hilarious theatrical previews, the PG-rated "Ice Age" opens in theaters Friday. This digitally animated feature, directed by Chris Wedge, an Academy Award-winner for his animated short "Bunny," features a great voice cast, including John Leguizamo, Denis Leary and Ray Romano as, respectively, a sloth, a saber-toothed tiger and a woolly mammoth who embark on a quest to return an orphaned human baby to the father.

Tom and Jerry

Tom and Jerry, American animated cartoon series about a hapless cat’s never-ending pursuit of a clever mouse.

Not yet named in their debut theatrical short, Puss Gets the Boot (1940), Tom (the scheming cat) and Jerry (the spunky mouse) nonetheless were a hit with audiences. Animators William Hanna and Joseph Barbera produced more than 100 episodes for Metro-Goldwyn-Mayer (MGM). Several of these—including Yankee Doodle Mouse (1943), The Cat Concerto (1946), and Johann Mouse (1952)—won Academy Awards for best animated short subject. In most episodes Jerry foiled Tom’s efforts to catch him and lived to annoy him another day—though occasionally Tom got the upper hand, or the two would join forces against a common enemy. The series was driven entirely by action and visual humour; the characters almost never spoke.

After Hanna and Barbera left MGM, the series was revived several times, most notably in the mid-1960s under the direction of famed animator Chuck Jones. These later versions changed certain elements of the series and softened the violence. The shorts became popular on television, and Hanna and Barbera’s own company acquired the rights to create new Tom and Jerry episodes specifically for the small screen, producing 48 stories between 1975 and 1977. The show remained a television staple for decades, although racist or other offensive elements from the early features were usually edited.

Tom and Jerry: The Movie premiered in 1992 in Europe and appeared on American screens the following year. In 2006 Warner Bros. debuted a new television series, Tom and Jerry Tales, which was closely modeled after the original theatrical shorts.

Is ‘Tom and Jerry’ Really Racist?

The premise of “Tom and Jerry,” the 75-year-old madcap slapstick cartoon about a feuding cat and mouse, is as innocuous as it is endlessly entertaining. But as with any show that was created in the 1940s, some of its tropes could be deemed politically incorrect or offensive today. You’d be hard-pressed to find a character like Mammy Two Shoes, a heavyset black maid whose face is obscured in all but one “Tom and Jerry” episode, on the Disney Channel today.

So while Amazon has recently added “Tom and Jerry” to its video streaming service, they made sure to include a racism disclaimer: a warning that “Tom and Jerry” contains “some ethnic and racial prejudices that were once commonplace in American society.”

Characters like Mammy Two Shoes “were wrong then and are wrong today,” the warning reads, incensing some fans of the seven-time Academy-Award winning show. “I loved Tom and Jerry as a kid and it never made me think poorly of ethnic minorities or want to smoke cigars,” one tweeted. Another “watched Tom and Jerry since the 60s this is the 1st time I’ve ever heard the R word in relation to it. PC madness!”

Meanwhile, British cultural commentator and sociology professor Frank Furedi declared Amazon’s warning “empty-headed” and excoriated a kind of “false piousness” and culture of censorship that “seems to be sweeping cultural life.”

Cartoon historian Jerry Beck agrees. “Amazon seems to have forgotten that ‘Tom and Jerry’ was made for adults as much as it was for children,” Beck told The Daily Beast. “[Amazon] should be showcasing ‘Tom and Jerry’ among classic movies in a way that gives them cultural context,” he said. “The advisory is really meant to warn parents that the cartoon may include things like smoking or the black housekeeper that they might have to explain to their children.”

It’s hardly the first time the beloved cat and mouse frenemies have run into controversy. In 2013, two episodes were pulled from the second installment of Warner Brothers’ Golden Collection because they featured Tom and Jerry “blacked up.”

“I loved Tom and Jerry as a kid and it never made me think poorly of ethnic minorities or want to smoke cigars.”

Fans thought the collection would feature every episode of the comedy since its creation, but “Casanova Cat” and “Mouse Cleaning,” two episodes from 1951 and 1948 with obvious race references that had previously been censored on broadcast television, were cut from the collection. “Casanova Cat” features Tom wooing a glamorous female feline by darkening Jerry’s face with cigar smoke and making him do a minstrel dance. And in “Mouse Cleaning,” Tom uses his “blackface” to trick Mammy Two Shoes.

The cartoon’s creators, William Hanna and Joseph Barbera, had trouble pitching it to broadcast networks in 1975, after they retrieved rights from MGM. “We showed them (the network folks) five of the old ‘Tom and Jerrys’ and they laughed so hard they had tears in their eyes,” Barbera told the Associated Press at the time. “Then they said, ‘We can’t use them. If we put those on we’ll get killed,’” he said, referring to standards instituted several years earlier by parents’ activist groups pushing for less violence on TV. The criticism prompted Hanna and Barbera to create more “socially acceptable” episodes (in 1975, they hadn’t sketched any new “Tom and Jerry” shorts in 18 years).

There are plenty of other outdated stereotypes in “Tom and Jerry”—sexist attitudes, for example—but Amazon chose to focus on race. (Amazon could not be reached for comment.) Indeed, race has become an increasingly hot-button issue in the last 10 years, so much so that we are either censoring references to racial stereotypes or issuing trigger warnings about them—sometimes at the expense of cultural and historical literacy.

When Whoopi Goldberg introduces a 2005 Looney Tunes Golden Collection, she addresses its politically incorrect themes, stressing that “they are presented here to accurately reflect a part of our history that cannot and should not be ignored” and that “removing these inexcusable images and jokes from this collection would be the same as saying [these prejudices] never existed.”

It’s understandable that big companies are pointing out that the outdated ethnic stereotypes in these old cartoons could cause offense. But as Goldberg noted, it’s important to understand their historical context. There were few countries that were built on such a multiethnic foundation, where differences were so profound—where language, cultural mores, and ritual changed from block to block—that racial and national stereotypes were an obvious outlet for humor in cartoons.


And in the age of South Park and Family Guy, not much is going to shock us in a “Tom and Jerry” cartoon.

tom and jerry charecter

Tom is a blue-grey British longhair cat. He is the main protagonist and also the main antagonist of the story, who lives a pampered life, while Jerry is a small brown house mouse who always lives in close proximity to him and he is the second protagonist of the story. "Tom" is a generic name for a male cat or Warner Bros. cartoon character Sylvester was originally called "Thomas". Tom was originally called "Jasper" in the very first short, Puss Gets the Boot, while Jerry was named "Jinx". Tom is very quick-tempered and thin-skinned, while adorable mouse Jerry is independent and opportunistic. Jerry also possesses surprising strength for his size, lifting items such as anvils with relative ease and withstanding considerable impacts with them. Despite the typical cat eats mouse, it is actually quite rare for Tom to actually try and consume Jerry. Despite being very energetic and determined, Tom is no match for Jerry's brains and wits. By the final "iris-out" or "fade-out" of each cartoon, Jerry usually emerges triumphant, while Tom is shown as the loser. However, other results may be reached; on rare occasions, Tom triumphs, usually when Jerry becomes the aggressor or when he crosses some sort of line (the best example of which occurs in The Million Dollar Cat where, after finding out that Tom's newly acquired wealth will be taken away if he harms any animal, including a mouse, he torments Tom until Tom finally loses his temper and attacks him). Sometimes, usually ironically, they both lose, usually when Jerry's last trap potentially backfires on him after it affects Tom (An example is in Chuck Jones' Filet Meow short where Jerry orders a shark to scare Tom away from eating a goldfish. Afterwards, the shark scares Jerry away as well) or when Jerry overlooks something at the end of the course. Sometimes, they both end up being friends (only for something to happen so that Tom will chase Jerry again). Both characters display sadistic tendencies, in that they are equally likely to take pleasure in tormenting each other. However, depending on the cartoon, whenever one character appears to be in mortal danger (in a dangerous situation or by a third party), the other will develop a conscience and save him. Sometimes, they bond over a mutual sentiment towards an unpleasant experience and their attacking each other is more play than serious attacks. Multiple shorts show the two getting along with minimal difficulty, and they are more than capable of working together when the situation calls for it, usually against a third party who manages to torture and humiliate them both.

Tom changes his love interest many times. The first love interest is Toots who appears inPuss n' Toots, and calls him "Tommy" in The Mouse Comes to Dinner. He is also interested in a cat called Toots in The Zoot Cat although she has a different appearance to the original Toots. The most frequent love interest of Tom's is Toodles Galore, who never has any dialogue in Tom and Jerry cartoons.

Despite five shorts ending with a depiction of Tom's apparent death, his demise is never permanent; he even reads about his own death in a flashback in Jerry's Diary. He appears to die in explosions in Mouse Trouble (after which he is seen in heaven) and in Yankee Doodle Mouse, while in The Two Mouseketeers he is guillotined offscreen.
Jerry Mouse.

Although many supporting and minor characters speak, Tom and Jerry rarely do so themselves. Tom, most famously, sings while wooing female cats; for example, Tom sings Louis Jordan's "Is You Is Or Is You Ain't My Baby" in the 1946 short Solid Serenade. In a couple of shorts, Tom, when romancing a female cat, woos her in a French-accented voice similar to that of screen actor Charles Boyer. At the end of The Million Dollar Cat after beginning to antagonize Jerry he says that he is throwing away a million dollars, but he is happy. Co-director William Hanna provided most of the squeaks, gasps, and other vocal effects for the pair, including the most famous sound effects from the series, Tom's leather-lunged scream (created by recording Hanna's scream and eliminating the beginning and ending of the recording, leaving only the strongest part of the scream on the soundtrack) and Jerry's nervous gulp. The only other reasonably common vocalization is made by Tom when some external reference claims a certain scenario or eventuality to be impossible, which inevitably, ironically happens to thwart Tom's plans - at which point, a bedraggled and battered Tom appears and says in a haunting, echoing voice "Don't you believe it!", a reference to some famous World War II propaganda shorts of the 1940s. In one episode, Tom hires a mouse exterminator who, after several failed attempts to dispatch Jerry, changes profession to Cat exterminator by crossing out the "Mouse" on his title and writing "Cat", resulting in Tom spelling out the word out loud before reluctantly pointing at himself. One short, 1956's Blue Cat Blues, is narrated by Jerry in voiceover (voiced by Paul Frees) as they try to win back. Both Tom and Jerry speak more than once in the 1943 short The Lonesome Mouse. Tom and Jerry: The Movie is the first (and so far only) installment of the series where the famous cat-and-mouse duo regularly speak.
[edit] Spike and Tyke
Main articles: Spike (Tom and Jerry) and Tyke (Tom and Jerry)
Spike and his puppy son Tyke.

In his attempts to catch Jerry, Tom often has to deal with Spike (also known as "Killer" ), an angry, vicious but extremely dumb guard bulldog who tries to attack Tom for bothering his son Tyke (sometimes called "Junior") while trying to get Jerry. While they are in the cartoons, Tom and Jerry appears always while chasing and bothering his son. Originally Spike was unnamed and mute (aside from howls and biting noises) as well as attacking indiscriminately, not caring whether it was Tom or Jerry though usually attacking Tom. In later cartoons Spike spoke often, using a voice and expressions (performed by Billy Bletcher and later Daws Butler) modeled after comedian Jimmy Durante. Spike's coat has altered throughout the years between grey and creamy tan. The addition of Spike's son Tyke in the late 1940s led to both a slight softening of Spike's character and a short-lived spin-off theatrical series (Spike and Tyke). Most cartoons with Spike in it have a system; usually Spike is trying to accomplish something (such as building a dog house or sleeping) when Tom and Jerry's antics stop him from doing it, Spike then (presumably due to prejudice) singles out Tom as the culprit and threatens him that if it ever happens again he will do "something horrible" to Tom (effectively forcing Tom to take the blame of anyone else) while Jerry overhears, afterwards Jerry usually does anything he can to interrupt whatever Spike is doing while Tom barely manages to stop him (usually getting injured in the process), usually Jerry eventually wrecks whatever Spike is doing in spectacular fashion and leaving Tom to take the blame, forcing him to fight Spike and inevitably lose (usually due to the fact the Tom is usually framed by Jerry and that Spike just doesn't like Tom) off-screen, finally Tom is generally shown injured while Jerry smugly cuddles up to Spike unscathed. At least once however Tom does something that benefits Spike, who promises not to interfere ever again; causing Jerry to frantically leave the house and run into the distance (in Hic-cup Pup). Spike is well known for his famous "Listen pussy cat!" catchphrase when he threatens Tom, his other famous catchphrase is "That's my boy!" normally said when he supports or congratulates his son. Tyke is described as a cute, sweet looking, happy and a loveable puppy. He is Spike's son, but unlike Spike, Tyke does not speak and only communicates (mostly towards his father) by barking, yapping, wagging his tail, wimpering and growling. Tyke's father Spike would always get out of the way to care and comfort his son and make sure that he is safe from Tom. Tyke loves his father and Spike loves his son and they get along like friends, although most of time they would be taking a nap or Spike woluld teach Tyke the main facts of life of being a dog. Like Spike, Tyke's appearanch has altered throughout the years, from grey (with white paws) to creamy tan. When Tom and Jerry Kids first aired, this was the first time that viewers were able to hear Tyke speak.
[edit] Butch and Toodles Galore
Main articles: Butch (Tom and Jerry) and Toodles Galore
Butch and Toodles Galore, in the 1946 Tom and Jerry short Springtime for Thomas.

Butch is a black alley cat who also wants to catch and eat Jerry. He is the most frequent adversary of Tom. However, for most of the episodes he appears in, he's usually seen rivaling Tom over Toodles. Butch also appeared as one of Tom's pals or chums as in some cartoons, where Butch is leader of Tom's buddies, who are Meathead and Topsy.