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Tuesday, 31 October 2017

Tom's Basement or Lost Tom and Jerry Story (Tom and Jerry Lost Cartoon)

The following article was written by KI Simpson. It's an untested story of a lost Tom & Jerry movie.
 You guys are already familiar with the Tom & Jerry animated series. A child-friendly film in which two main characters, Tom and Jerry Mouse, fight together, as well as enemies and close friends. Do you know .. A special episode was made .. But it was not released, and forever not released.

As I know it is the 13th film of Czech filmmaker Gene Deitch. It was made very fast, but when watching the video. Gene decided never to produce it again.

The name of the episode is "Tom's Basement".
In general, the opening is not strange, is still the image of cat Tom sleeping near the door of the basement. And her master hit the tail. She gets mad, and she forbids Tom from slamming into the basement. And put his hand on his neck. I mean, if Tom was speechless, that would mean death. Tom panicked and ran across another room, breathed and wiped the sweat on his forehead. And like the other episodes, now, in a hole, Jerrry Mouse was looking out and laughing.
The strange thing started. Instead of the usual mischievous smile, Jerry smirked, with his eyes fixed on the blood, and the mouth laughed. an evil in the sky.
The next few minutes, Jerry persuades Tom to approach the basement, and each time, Tom gets a blow. A few or three times, Tom dragged himself on the floor with a bruised face, head full of blood and a broken leg, blood covered everywhere.
Tom was frightened. He started begging Jerry to forgive him, Tom clenched his fists and cried over the carpet. Jerry just smiled. It pushed the tom toward the basement. This time, the maid came back, she took out a gun. The sound effects are crazy now. The scream of the mistress, Tom's screams and Jerry's laughter made people look like crazy. But immediately, the sound settled down, and Jerry smirked. She held the knife at her master's feet, and threw it at Tom. Tom catches and stabs her a little. They gasped and took each other to bring her corpse in the basement. Get to the place. A scene can make the viewer stand still: the corpse is scattered all over, the blood gushes and the sound is only a pounding piano sound. But Tom did not seem to mind the scene.

The crazyness of the episode does not end there. They opened a celebration party, and while Tom was devouring his chicken thighs, Jerry shimmered. He laughed again. And this time he killed Tom, with a knife on the table and his mouth murmured: DO NOT YOU BELIEVE IT! She rolled Tom's body from the stairs to the basement.

At the end of the film, Jerry returns with a familiar, familiar look, cluttering a billboard, on "Selling a House" and hanging on the door. It came in and when closing the door, it bore a demon smile. It is waiting for the next prey.

Thursday, 17 December 2015

Is ‘Tom and Jerry’ Really Racist?

Amazon has put a racism disclaimer on its series of “Tom and Jerry” cartoons. Critics say this is “empty-headed” and “PC madness.”
 
 
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The premise of “Tom and Jerry,” the 75-year-old madcap slapstick cartoon about a feuding cat and mouse, is as innocuous as it is endlessly entertaining. But as with any show that was created in the 1940s, some of its tropes could be deemed politically incorrect or offensive today. You’d be hard-pressed to find a character like Mammy Two Shoes, a heavyset black maid whose face is obscured in all but one “Tom and Jerry” episode, on the Disney Channel today.

So while Amazon has recently added “Tom and Jerry” to its video streaming service, they made sure to include a racism disclaimer: a warning that “Tom and Jerry” contains “some ethnic and racial prejudices that were once commonplace in American society.”

Characters like Mammy Two Shoes “were wrong then and are wrong today,” the warning reads, incensing some fans of the seven-time Academy-Award winning show. “I loved Tom and Jerry as a kid and it never made me think poorly of ethnic minorities or want to smoke cigars,” one tweeted. Another “watched Tom and Jerry since the 60s this is the 1st time I’ve ever heard the R word in relation to it. PC madness!”

Meanwhile, British cultural commentator and sociology professor Frank Furedi declared Amazon’s warning “empty-headed” and excoriated a kind of “false piousness” and culture of censorship that “seems to be sweeping cultural life.”

Cartoon historian Jerry Beck agrees. “Amazon seems to have forgotten that ‘Tom and Jerry’ was made for adults as much as it was for children,” Beck told The Daily Beast. “[Amazon] should be showcasing ‘Tom and Jerry’ among classic movies in a way that gives them cultural context,” he said. “The advisory is really meant to warn parents that the cartoon may include things like smoking or the black housekeeper that they might have to explain to their children.”

It’s hardly the first time the beloved cat and mouse frenemies have run into controversy. In 2013, two episodes were pulled from the second installment of Warner Brothers’ Golden Collection because they featured Tom and Jerry “blacked up.”

Fans thought the collection would feature every episode of the comedy since its creation, but “Casanova Cat” and “Mouse Cleaning,” two episodes from 1951 and 1948 with obvious race references that had previously been censored on broadcast television, were cut from the collection.
“Casanova Cat” features Tom wooing a glamorous female feline by darkening Jerry’s face with cigar smoke and making him do a minstrel dance. And in “Mouse Cleaning,” Tom uses his “blackface” to trick Mammy Two Shoes.

The cartoon’s creators, William Hanna and Joseph Barbera, had trouble pitching it to broadcast networks in 1975, after they retrieved rights from MGM. “We showed them (the network folks) five of the old ‘Tom and Jerrys’ and they laughed so hard they had tears in their eyes,” Barbera told the Associated Press at the time. “Then they said, ‘We can’t use them. If we put those on we’ll get killed,’” he said, referring to standards instituted several years earlier by parents’ activist groups pushing for less violence on TV. The criticism prompted Hanna and Barbera to create more “socially acceptable” episodes (in 1975, they hadn’t sketched any new “Tom and Jerry” shorts in 18 years).

There are plenty of other outdated stereotypes in “Tom and Jerry”—sexist attitudes, for example—but Amazon chose to focus on race. (Amazon could not be reached for comment.) Indeed, race has become an increasingly hot-button issue in the last 10 years, so much so that we are either censoring references to racial stereotypes or issuing trigger warnings about them—sometimes at the expense of cultural and historical literacy.

When Whoopi Goldberg introduces a 2005 Looney Tunes Golden Collection, she addresses its politically incorrect themes, stressing that “they are presented here to accurately reflect a part of our history that cannot and should not be ignored” and that “removing these inexcusable images and jokes from this collection would be the same as saying [these prejudices] never existed.”

It’s understandable that big companies are pointing out that the outdated ethnic stereotypes in these old cartoons could cause offense. But as Goldberg noted, it’s important to understand their historical context. There were few countries that were built on such a multiethnic foundation, where differences were so profound—where language, cultural mores, and ritual changed from block to block—that racial and national stereotypes were an obvious outlet for humor in cartoons.


And in the age of South Park and Family Guy, not much is going to shock us in a “Tom and Jerry” cartoon.

Tom and Jerry American cartoon series

Tom and Jerry, American animated cartoon series about a hapless cat’s never-ending pursuit of a clever mouse.

Not yet named in their debut theatrical short, Puss Gets the Boot (1940), Tom (the scheming cat) and Jerry (the spunky mouse) nonetheless were a hit with audiences. Animators William Hanna and Joseph Barbera produced more than 100 episodes for Metro-Goldwyn-Mayer (MGM). Several of these—including Yankee Doodle Mouse (1943), The Cat Concerto (1946), and Johann Mouse (1952)—won Academy Awards for best animated short subject. In most episodes Jerry foiled Tom’s efforts to catch him and lived to annoy him another day—though occasionally Tom got the upper hand, or the two would join forces against a common enemy. The series was driven entirely by action and visual humour; the characters almost never spoke.

After Hanna and Barbera left MGM, the series was revived several times, most notably in the mid-1960s under the direction of famed animator Chuck Jones. These later versions changed certain elements of the series and softened the violence. The shorts became popular on television, and Hanna and Barbera’s own company acquired the rights to create new Tom and Jerry episodes specifically for the small screen, producing 48 stories between 1975 and 1977. The show remained a television staple for decades, although racist or other offensive elements from the early features were usually edited.

Tom and Jerry: The Movie premiered in 1992 in Europe and appeared on American screens the following year. In 2006 Warner Bros. debuted a new television series, Tom and Jerry Tales, which was closely modeled after the original theatrical shorts.

Monday, 31 August 2015

Spongebob, Tom and Jerry lead video releases

The catch of the week is "Spongebob Squarepants," taking the plunge onto home video on Tuesday. Silly, seafaring stories from Nickelodeon's phenomenally popular cartoon franchise will be released on two VHS collections, "Nautical Nonsense" and "Spongebuddies" ($13 each), and a single-disc DVD ($20).
Since its debut in 1999, Spongebob, the "absorbent and yellow and porous" sponge who lives in an undersea pineapple in Bikini Bottom, has reeled in an adult cult following.
Also available this week is "Tom and Jerry: The Magic Ring," which, if nothing else, is a marked improvement over 1993's sorry "Tom and Jerry: The Movie," in which Tom and Jerry actually talked.
In this produced-for-video feature, Tom's owner, a Gen-X wizard, leaves the cat in charge of his magic ring, which inevitably becomes stuck on mouse Jerry's head. The look of the film recalls Tom and Jerry's 1940s heyday. There's a cameo by Droopy, and Tex Avery fans will note the homage to his classic "Bad Luck Blackie."
Like Tom and Jerry themselves, "The Magic Ring" hits the ground running with the usual slapstick and, at a scant 62 minutes, flies by.
Raffi still in tune after 6-year hiatus
Raffi is back with "Let's Play," his first album in six years, and it's like he never left. The songs are a delightful mix of traditional favorites and Raffi originals. One, "Blessed Be," was recorded by Alison Krauss for the recent tribute compilation "Country Goes Raffi." The title tune is a "happy, tapping" song that recalls his "Time to Sing" (and even references his most beloved song, "Baby Beluga").
Available Tuesday, "Let's Play" retails for $18 on compact disc and $12 on audiocassette. To order call 800-ROUNDER.
'Ice Age' slated for warm reception
After warming up audiences for months with its hilarious theatrical previews, the PG-rated "Ice Age" opens in theaters Friday. This digitally animated feature, directed by Chris Wedge, an Academy Award-winner for his animated short "Bunny," features a great voice cast, including John Leguizamo, Denis Leary and Ray Romano as, respectively, a sloth, a saber-toothed tiger and a woolly mammoth who embark on a quest to return an orphaned human baby to the father.

TV Review: Cartoon Network's 'Clarence,' 'The Tom and Jerry Show'

Amid a spate of live-action comedies featuring boys as the protagonist, Cartoon Network's animated "Clarence" arrives as a nifty little gem, so quirky and idiosyncratic as to feel fresh, even if it treads in well-worn territory. The characters aren't much to look at -- indeed, they're generally grotesque -- but its two mini-stories in the premiere are certainly a lot of fun. If only some of that creativity rubbed off on the channel's new and wholly unnecessary "The Tom and Jerry Show" reboot, which, to the target audience, will probably just feel like a watered-down "Itchy & Scratchy."
Created by wunderkind producer Skyler Page (who also provides the voice of the title character) through the network's digital-short initiative, "Clarence" focuses on a young boy who, for once, actually acts like one. That is to say, he's cheerfully oblivious to almost everything except eating and trying to enjoy himself, while his mother (Katie Crown) sounds OK with him doing just about anything as long as it doesn't end with him getting hurt.
The premiere focuses on an outing to a burger joint/play space with a group of Clarence's friends, who are equally odd, including one who is positively phobic about anybody touching his French fries. A second yarn involves Clarence spending the afternoon hanging out with a girl, which sends his buddies into a tizzy, unleashing a strange mix of jealousy and outrage. One frets that the two might be making out, even though he's unsure what exactly that means.
By contrast, "Tom and Jerry" relies on the same old cat-and-mouse sight gags and slapstick, without adding the kind of wrinkles to the chase that would justify digging up the 74-year-old concept. Nor should it be overlooked that the shorts baby boomers were weaned on actually originated in movie theaters, where adults watched them every bit as much as kids.
The animation is fluid, certainly, and the voice cast includes Jason Alexander. Beyond that, these mostly silent shorts feel like a throwback and, with apologies to the cat half of the equation, they simply didn't scream out for additional lives.
As for "Clarence," the TV market has become so glutted with cheeky animation -- Comedy Central seems to premiere a new show every week, whether or not anybody's asking for it -- that it's nice to see someone conjure something with a genuine creative spark and relative lack of cynicism.
By that measure, "Clarence's" eponymous star might be a pretty dim bulb, but he casts an unexpectedly warming light.

Spongebob, Tom and Jerry lead video releases

The catch of the week is "Spongebob Squarepants," taking the plunge onto home video on Tuesday. Silly, seafaring stories from Nickelodeon's phenomenally popular cartoon franchise will be released on two VHS collections, "Nautical Nonsense" and "Spongebuddies" ($13 each), and a single-disc DVD ($20).
Since its debut in 1999, Spongebob, the "absorbent and yellow and porous" sponge who lives in an undersea pineapple in Bikini Bottom, has reeled in an adult cult following.
Also available this week is "Tom and Jerry: The Magic Ring," which, if nothing else, is a marked improvement over 1993's sorry "Tom and Jerry: The Movie," in which Tom and Jerry actually talked.
In this produced-for-video feature, Tom's owner, a Gen-X wizard, leaves the cat in charge of his magic ring, which inevitably becomes stuck on mouse Jerry's head. The look of the film recalls Tom and Jerry's 1940s heyday. There's a cameo by Droopy, and Tex Avery fans will note the homage to his classic "Bad Luck Blackie."
Like Tom and Jerry themselves, "The Magic Ring" hits the ground running with the usual slapstick and, at a scant 62 minutes, flies by.
Raffi still in tune after 6-year hiatus
Raffi is back with "Let's Play," his first album in six years, and it's like he never left. The songs are a delightful mix of traditional favorites and Raffi originals. One, "Blessed Be," was recorded by Alison Krauss for the recent tribute compilation "Country Goes Raffi." The title tune is a "happy, tapping" song that recalls his "Time to Sing" (and even references his most beloved song, "Baby Beluga").
Available Tuesday, "Let's Play" retails for $18 on compact disc and $12 on audiocassette. To order call 800-ROUNDER.
'Ice Age' slated for warm reception
After warming up audiences for months with its hilarious theatrical previews, the PG-rated "Ice Age" opens in theaters Friday. This digitally animated feature, directed by Chris Wedge, an Academy Award-winner for his animated short "Bunny," features a great voice cast, including John Leguizamo, Denis Leary and Ray Romano as, respectively, a sloth, a saber-toothed tiger and a woolly mammoth who embark on a quest to return an orphaned human baby to the father.

Tom and Jerry

Tom and Jerry, American animated cartoon series about a hapless cat’s never-ending pursuit of a clever mouse.
Not yet named in their debut theatrical short, Puss Gets the Boot (1940), Tom (the scheming cat) and Jerry (the spunky mouse) nonetheless were a hit with audiences. Animators William Hanna and Joseph Barbera produced more than 100 episodes for Metro-Goldwyn-Mayer (MGM). Several of these—including Yankee Doodle Mouse (1943), The Cat Concerto (1946), and Johann Mouse (1952)—won Academy Awards for best animated short subject. In most episodes Jerry foiled Tom’s efforts to catch him and lived to annoy him another day—though occasionally Tom got the upper hand, or the two would join forces against a common enemy. The series was driven entirely by action and visual humour; the characters almost never spoke.
After Hanna and Barbera left MGM, the series was revived several times, most notably in the mid-1960s under the direction of famed animator Chuck Jones. These later versions changed certain elements of the series and softened the violence. The shorts became popular on television, and Hanna and Barbera’s own company acquired the rights to create new Tom and Jerry episodes specifically for the small screen, producing 48 stories between 1975 and 1977. The show remained a television staple for decades, although racist or other offensive elements from the early features were usually edited.
Tom and Jerry: The Movie premiered in 1992 in Europe and appeared on American screens the following year. In 2006 Warner Bros. debuted a new television series, Tom and Jerry Tales, which was closely modeled after the original theatrical shorts.

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